South Korea, China, and Japan in the Far East are countries with the world's oldest history of woodblock printing and outstanding tradition of woodblock painting. Moreover, it is now a strong country in the world that produces modern woodblock prints with the most unique beauty and form. Of course, woodblock prints also exist in the West and other countries. Although there are still many writers active in their creations, currently, South Korea, China, and Japan can be said to be the most active battlefields in the fields of woodcut culture and pure art. Based on the above background, now that a quarter of the 21st century has passed, Jinchuan Commandery has been established! The Giant Print Art Museum has prepared this project to showcase the aesthetic issues and exquisite forms of modern woodblock prints from South Korea, China, and Japan, in order to create a prelude to a project that can insight into the aesthetics of world woodblock prints. Unlike the trend of modern woodblock painting in the West, South Korea, China, and Japan are powerful countries that surpass their independent level. It is obvious that the attempt to construct Asian cultural industry content through woodblock painting is reasonable. this is it. This exhibition is an exploration of this long-term project, also known as Preview. The exhibition presents the "current" scene through the natural and modern history of the three countries in Northeast Asia. The woodblock painters shape and express themselves as skeletons with their feelings and problem awareness. At the same time, we hope to observe each artist's individual woodblock painting works. Through him, we attempt to once again look forward to the diversity of Northeast Asia today. Of course, the questions raised through the sculptural genre of art cannot be specific. However, the point at which the appreciation of a work begins to coincide with the audience's consciousness, the point of reality, can clearly become a driving force for a