This exhibition has been open for submissions nationwide since May 2025, and after selection, a total of 215 outstanding print works created by young artists are exhibited. These works depict the development achievements of the new era, capture ordinary and warm moments of life, and showcase the elegant and poetic landscapes of plants and mountains. In terms of creative forms, they not only inherit tradition but also forge ahead, deeply exploring the new aesthetic interests and spiritual connotations of print art in the contemporary context, fully demonstrating the innovative vitality and diverse atmosphere of print development in the new era. It is a concentrated display of the creative achievements of the new generation of Chinese print artists and also presents a splendid cross-year art feast to the audience. Jiangsu print art has a profound heritage and is passed down from generation to generation. During the Ming and Qing dynasties, folk crafts with regional characteristics such as Taohuawu woodblock prints pushed traditional Chinese watermark engraving art to new heights. In the 1930s, the emerging woodcut movement spread across various regions in Jiangsu, and a group of print artists used painting as a dagger and a spear, inspiring revolutionary morale during the Anti-Japanese War. In the 1960s, print artists represented by Wu Junfa, Huang Pimo, and Zhang Xinyu inherited traditional techniques, borrowed the charm of Chinese ink painting, and created unique Jiangsu watermark woodcut prints, becoming an important artistic school in the history of art. In recent years, our province has leveraged the key laboratory platform of the Ministry of Culture and Tourism for watermark print material and technology research, actively promoting the inheritance and innovation of watermark prints, cultivating print art talents, and in the 14th National Art Exhibition, Jiangsu's number of selected print works ranked second nationwide. Wind rises from rivers and flows throug