More than four hundred years ago, Cheng Junfang published a painting called "The Picture of Giant Rivers and Boats" in his legendary "Cheng Shi Mo Yuan". In this small picture, ancient woodcarvers use extremely exquisite lines and precise color overprinting to depict the scene of a small boat sailing against the wind in a large river. This printmaking work is of iconic significance in the history of Chinese printmaking. It is not only one of the earliest cases of multicolor overprinting technology, but also showcases the heroic temperament and literary character of perseverance in the painting, and still holds important spiritual value to this day. For this reason, the Chinese Youth Watermark Woodcut Program has always followed the spirit of the Juchuan Zhouji Map as an example, forging ahead, and its academic activities are often named after the Juchuan Yaji

Watermark woodcut is a unique form of printmaking art in China. It is not only a technical version, but also a cultural carrier and aesthetic system. It is a visual externalization and material expression of Chinese philosophical ideas and aesthetic concepts. The numerous and exquisite ancient classic printmaking works not only demonstrate the superb printing skills of our ancestors, but also represent a grand history of artistic concept changes and a comprehensive visual image history

Since modern times, the "spread of Western learning to the East" has led us to continuously learn from the West in the field of humanities, neglecting the protection and exploration of our excellent traditional culture. Globalization should not be dominated by one family in terms of culture, but should have cultural diversity. Each ethnic group has its own unique cultural traditions, and only by coexisting in diversity can the world cultural landscape showcase the richness and brilliance of human culture. In the current era of unprecedented changes, what cultural image should China reshape and how to enhance its cu