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入围作品场 动画入围
from: liff.cafa.edu.cn time: 2019.4.5
C-1
15:10 01/04/19 NA
13:30 05/04/19 RL
入围动画片

哈利 Harry
周浩然Zhou Haoran/China/7’03”/2017/HD/动画Animation

一群飞鱼飞过小镇的天空,自此小男孩开始了漫长的等待。小镇的周围开始建起了高楼,他也在循环的工作中渐渐的消耗了自己,而却终不见飞鱼回归。大雪淹城,风雪中他们以一种特别的方式再次相逢
A flock of flying fish float over the town, the little boy starts his long wait ever since. High-rises spring up around thetown, as he drains himself gradually in the soul-destroying work and never gets the chance to see the flying fish return. When a snowstorm sweeps the town,they manage to meet again in a unique way.


寄居/Home
王言如丝 Wang Yanrusi/China/ 03’39”/2018/HD/动画Animation

工业文明初期,找不到海螺为壳的寄居蟹碰到了第一只被扔进海里的工业垃圾——半只脏酒瓶,逃命时不得不以瓶为壳,却幸运的躲过了天敌的攻击,成为海中无敌。它背着这个“与众不同”的垃圾,带动了整个寄居蟹群抛弃一贯的海螺壳,依赖上了坚固的海洋垃圾。随着海洋污染日益严重,这群背着垃圾的寄居蟹盯上了人类的城市。
In the early stage of Industrial Revolution, a hermit crab without conch met the first industrial waste that was thrown into the sea—a dirty semi-bottle. When the dangerous coming, he had to make the bottle become his shell to escape the natural enemies fortunately. Therefore ,he became invincible in the sea. He carries this ‘unique’ rubbish-home, which has driven the group of hermit crabs to abandon the consistent shells and rely on solid sea rubbish. With the increasing pollution of the oceans, this group of hermit crabs with rubbish has been attracted the human city.


Half Asleep
蔡采贝 Cai Caibei/英国/05’16”/2018/HD/动画Animation

一个房间,一半一半,嘘,昏昏欲睡,摇摇欲坠。
One room, two half bodies, a silent relationship.


扁扁/ BianBian
黄山 Huang Shan/中国/ 5’00”/ 2019/ HD/ 动画Animation

与小鸭子为伴的扁扁对小鸭子的爱一点点的发生了变化。
Accompanied by ducklings, Bianbian‘s love for ducklings gradually changed.



粉红羁绊/ The Pink Fetter
陈晓苗 Chen Xiaomiao/中国/ 3’58”/ 2018/HD/ 动画Animation

The short film tells the story of a man who unfortunately steps on a piece of gum and he tried to break free but it didn’t work.


《追》/ Manhunt
王露 Wang Lu/中国/ 3’00”/ 2019/ HD/ 动画Animation

人类不断地进行着某种有组织的行为,这些行为有时候因为明确的目的而披上
合法的外衣。一些人忠于执行,一群人被迫执行。不幸的是,“合法”常常只是在某一个阶段的相对状态,人们总是无法修正,只能追问。
Human beings are constantly engaged in some kind of organized behavior, which is sometimes under the guise of legality for a definite purpose. Some are committed to execution, some are forced to execute. Unfortunately, "legal" is only a relative state at a certain stage. When people realized their mistakes, they can’t change that.


二十二/ Twenty-two
卢昊旻 Lu Haomin/中国/ 4’40”/ 2018/ HD /动画Animation

作品简介将满二十二岁这年,我回家做了三件事,第一事情,我试图回到父辈们二十二岁的故事里去探寻我个人的历史逻辑,第二件事,我走访了故乡正在新建的未来感十足的大型建筑,去参与正在行进间的过去与未来的战争。第三件事,我在脑海中构建了一次有关上述两件事情的自我对话。
When I was about 22 years old, I went home and did three things. First, I tried to go back to my parents ’stories of 22 years old to explore my own historical logic. Second, I visited the large buildings in my hometown which are being built with a full sense of the future, and participated in the war between the past and the future. Thirdly, I constructed a self-dialogue in my mind about the two aforementioned things.


沙与花/ Sand and Flower
王家琪/Wang Jiaqi/中国/ 04’19”/ 2018/ HD/ 动画Animation

物是否可以抚慰我们的心灵,自然可不可以让我们得到救赎。沙与花这部动画是以《乞力马扎罗山的雪》中的死亡的脚步为主线,讲述主人公在临死之前重新审视非洲草原,重新审视生命的故事。死亡的脚步让人思考,我们的生命最后会去向何方。在动画中,死亡的脚步是由自然物来代表的,由秃鹫,到鬣狗,再到画面中的影子。在动画的结尾,主人公死去,自然之神带着他找到了永恒。我先把在非洲拍摄的视频和照片收集起来,再结合速写内容,将有关感受的内容写出来。然后我在把书中关于死亡降临的内容摘出来。将这些内容结合在一起写一篇散文式的文案。依照文案内容创作画面。
Whether animals can soothe our hearts, can we let us be redeemed? The animation of sand and flowers is based on the footsteps of death in The Snow of Kilimanjaro. It tells the story of the protagonist re-examining the African grasslands and re-examining life before dying. The footsteps of death make people think about where our lives will eventually go. In animation, the footsteps of death are represented by natural objects, from vultures, to hyenas, to shadows in the picture. At the end of the animation, the protagonist dies, and the god of nature takes him to eternity. I will first collect the videos and photos taken in Africa, and then combine the sketch content to write out the content of the feelings. Then I took out the book about the death of the book. Combine these together to write a prose-style copy. Create a picture according to the contents of the copy.


喝茶时间/ Tea time
Léon Moh-Cah /法国/ 02’52”/ 2018/ HD/ 动画Animation

Alice is having her rst shift in a tea shop. Very passionate about her job, she explores her new environment while she is waiting for the customers. As she smells the different teas before chosing the good one, her mind is traveling through their history as much as she can’t see or hear the real world... She will have a vision of a tea time in Russia, of the accidental conception of Lapsang Souchong in China, and of Japan during the harvesting.



无法逃脱的真实世界/ Unable to escape from the real world
汤洋 Tang Yang/中国/ 17’52”/ 2018/ HD/ 动画Animation

主角在指引下努力试图打破现状控制的同时,逐渐意识到自己只不过是处在剧情中的一名角色,努力从世界中逃脱,在逃跑中得知了所处世界的真想,选择终结自己的生命却在再次醒来时回到了开始的地方,尽管知道了一切但结果不会有任何改变。
While the protagonist is trying hard to break the control of the status quo, he gradually realizes that he is only a character in the story. Although he knows everything, the result will not change.


讳言/ Shadow
Lei Lei/中国/ 05’32”/ 2017/ HD/ 动画Animation

运用油画和拍摄结合,讲述一个女孩被尾随性侵以及之后周围环境对她的另眼所带来的二次伤害。
This animation gives a account of the injuries inflicted on a girl after she was followed and sexually harassed by combining oil painting and photography.



匆匆/ Quiet Willow
熊诗艺 Xiong Shiyi/中国/ 06’18”/ 2018 /HD/动画Animation

都说人的童年消失的时候,是在第一次经历一个亲人的重大死亡的时刻。我还小的时候,我以为世界是无穷无尽的,想活在一个循环的光圈里,是快乐的重复,哪有什么烦恼。我和表姐嬉笑打闹,爷爷就安静地站在我们身后,微笑不语,像一棵树,有风的时候才会发出窸窸窣窣的声音,阳光打下来,变成光的容器。爷爷突然去世了,他依旧站在光里,我们却一夜长大了。



漂流黄昏/ Drifting at Dusk
刘璐 Liu lu/中国/ 05’34”/ 2018 /HD/ 动画Animation

为了支持儿女们的事业和照顾第三代的成长,“老漂族”们在本该颐养天年的年纪离开了生活多年的故乡,踏入快节奏的繁华都市。本片讲述了一位老漂族老奶奶在孙子出生的喜讯传来之后满心欢喜地来到大城市与儿子一家团聚。不料幸福的晚年并没有如愿而至,等待她的除了家庭的负担,还有与现代生活的可怕脱节……
To support their children’’s career and take care of the growth of the third generation, “old drifters” have to leave their hometowns for many years and step into fast-paced and prosperous cities at the age when they were supposed to enjoy comfortable lives.The film narrates a story about an old drifting grandmother who comes to a big city to reunite with her son’s family after getting the happy news of her grandson’s birth. Unfortunately, happy later life has not arrived as she expects. Instead, she has to take up burdensome housework and suffer the terrible alienation from modern life.


我/ self
安宇 An Yu/中国/ 04’23”/ 2019/ HD/ 动画Animation

维度中的自我拯救。对现实绝望自杀的人却不知维度中有着渴望救赎的自己,我与我之间如何在思维中打破维度的阻碍获得另一种意义的解放。
Self-saving in dimensions. Those who commit suicide in despair of the reality do not know that there is another him / her in dimensions waiting to be saved. How to break the barriers between we in reality and “we” in dimensions in thinking and obtain a kind of liberation of different senses?


虫子/ Bug
李香枫 Li Xiangfeng/中国/ 02’30”/ 2019/ HD/ 动画Animation

两人在不同的维度中寻找对方,最后虽然相遇却双双迷失。
They look for each other in different dimensions, and eventually they both get lost when they meet.


沉默的扳机/ Silence trigger
王家国,田震,尹博文,董效辰 Wang Jiaguo,Tian Zhen,Yin Bowen,Dong Xiaochen/中国/ 09’43”/ 2018 /HD/ 动画Animation

This animation tells the story of a city zoo and a tiger. This is a recalcitrant tiger who has been chasing freedom all his life. A breeder saw in him the courage he had lost. How would he treat the tiger, which was becoming more and more uncontrollable in the zoo ...


野兽/ Beast
刘导航 Liu DaoHang/中国/ 05’06”/ 2019/ HD/ 动画Animation

Imagination is beautiful but sometimes it is fearful, like beast, both beauty and wild.



期望线 / DESIRE LINE
施蕊妮
 Shi Ruini/英国-中国/ 06’59” / 2018 / HD/ 动画Animation

“期望线”最初来源于建筑学术语,代表了了人们在出发地和目的地之间,自发踩出的最短的路线:人们想要穿越公园的草地时会下意识践过草坪,而不不是绕道行走已经设计好的小道。这部电影借火车为隐喻,以⼈工智能的⻆度讲述了其在⼀个不久的将来的情人节为其用户生成的一系列“最优解”导致的谋杀案。然而这些最优解背后的期望线究竟来自于⼈⼯智能本身还是人类呢?这部电影试图探讨越来越富有争议性的⼈工智能的伦理道德以及科技本身的无辜性。
“Desire Line” was originally an architect’s term for paths made by people when walking across open grassland, what these lines represent are the shortest or most easily navigated routes between an origin and destination. The film uses this idea in the context of how an artificial intelligence might work: the bot generates optimal solutions to user problems as a form of desire line calculation. The film aims to interrogate the increasingly controversial role of Artificial Intelligence by visualising a statement from an AI about its experience on a Valentine’s Day in the near future.


魔鬼鱼/ DEVIL FISH
王歆童、赵丹妮/中国/ 4’20”/ 2019/ HD/ 动画Animation

A man with delusional and his illusion about the octopus