来源:中央美术学院科技艺术研究院
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媒体艺术21系列线上讲座
本讲座系列为科技艺术研究院于2021年发起的项目“媒体艺术21:2000年以来全球媒体艺术实践与反思,及其教学探索”之组成部分。讲座依照项目目前的三个主题:“后人类”(Posthuman)、“生态”(Ecologies)、“共同体”(The Commons)分别展开。本讲座为“生态”主题下的第一场线上讲座。
* 特别鸣谢哈佛大学马辛德拉人文中心(Harvard University’s Mahindra Center for the Humanities)环境论坛对本讲座的慷慨支持。
时基媒体艺术中的生态时间 |
ECOLOGICAL TIME IN TIME-BASED MEDIA ART
讲者:
香农·杰克逊(Shannon Jackson)
主持:
张尕(ZHANG Ga)
日期:
2022年4月27日 周三
时间:
11:00 - 12:30(北京时间)
语言:
英文(配中文现场翻译)
参与方式:
MANA线上直播(海报与文中附二维码链接)
联合主办:
中央美术学院科技艺术研究院、中央美术学院美术馆
专项支持:
和艺术基金、新媒体艺术基金会
线上直播合作:
MANA
关于讲座
过去二十年的媒体和影像艺术实践恰逢气候恶化加剧的痛心现实。虽然气候变化的影响在 2000 年之前就已经被预期,但这些致命的影响在 2000 年后猖獗发展到无处不在,给如何想象在地球上的共生未来带来新的挑战。通过追踪采掘主义经济体的历史及与其相互交叠的性别、种族、殖民主义和以人为中心的人类中心主义力量表明,这些气候变化引致的影响同时也与纵观人类是如何走到今天这一步的史学理解相吻合。本次讲座汇集了一系列艺术家、艺术品,以记录过去二十年中对生态问题做出回应的艺术实践的核心主题。生态效应给审美想象带来了新的障碍,即使它们激发并需要这种想象。因此,基于时间的媒体艺术成为解决我们这个时代最紧迫危机的有效载体。
关于讲者
香农·杰克逊是修辞学、戏剧、舞蹈和表演研究的米歇尔·哈迪德(Michelle Hadidi)讲席教授。她同时还在艺术史、艺术实践和新媒体领域任职。她的职业调查书《后台:横跨艺术、表演和公共生活的写作》(Back Stages: Essays across Art, Performance and Public Life)将于 2022 年春季出版。过去的出版物包括《公务员》(Public Servants, 2016年)、《建筑商协会》(The Builders Association, 2015年)、《社会工作》(Social Works, 2011年)、《表演职业化》(Professing Performance, 2004年)、《线性活动》(Lines of Activity, 2000年)以及线上关键字词汇表:《关于表演》(In Terms of Performance)。杰克逊经常在国际性论坛上发表演讲,并且是许多机构的项目负责人和委员会成员,其中包括加利福尼亚奥克兰博物馆(Oakland Museum of California)、伯克利艺术博物馆和太平洋电影资料馆(BAMPFA)、赫德兰艺术中心(Headlands Center for the Arts)、媒体艺术21(Media Art 21)。在学术休假期间,她担任卡姆里奇艺术基金会(Kramlich Art Foundation)的影像和媒体艺术创始项目总监。
乌苏拉·比尔曼(Ursula Biemann):《听觉海洋》(Acoustic Ocean),2018年,视频截图,图片由艺术家惠允。
卡罗莱娜· 凯塞多(Carolina Caycedo):《停止作为威胁而变成一个诺言》(To Stop Being a Threat and To Become a Promise),2017年、《蛇惑河流书》(Serpent River Book),2017年,图片由艺术家惠允。
《太阳与海洋(码头)》(Sun & Sea [ Marina ]),由露吉尔·巴丘卡特(Rugile Barzdziukaite)指导、瓦伊娃·格兰涅特(Vaiva Grainyte)编剧、丽娜·拉普利特(Lina Lapelyte)作曲,2019年,摄影:安德烈·瓦西连科(Andrej Vasilenko),图片由艺术家惠允。
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关于项目
“媒体艺术21:2000年以来全球媒体艺术实践与反思,及其教学探索”是由中央美术学院科技艺术研究院发起的三年项目。
媒体艺术是全球当代艺术实践中不可或缺的组成部分。其以媒介的过去、现在和未来诠释世界之当下。伴随着媒体艺术实践及其在国际艺术展览中占比的日益增长,对其展开批判与学术性反思,同时将这一实践领域纳入到艺术教育的需求也在不断增加。艺术家、学者、策展人和学生能够获得原始资料并进行批判性思考,这对于研究和发展媒体艺术这样一个已经对当代艺术产生显著影响、塑造和促进作用的领域而言至关重要。“媒体艺术21——21世纪的媒体艺术”旨在以全球视野对2000年以来的媒体艺术进行概述来满足这一需求。
Media Art 21 Online Lecture Series
This online lecture series is part of the Media Art 21: Practices, Reflections, and Pedagogies of Global Media Art Since 2000, a project initiated by the Institute of Sci-Tech Arts of the Central Academy of Fine Arts (CAFA) in 2021. The lectures are based on three current themes of the project: Posthuman, Ecologies, and the Commons. This is the first online lecture under the theme of the Ecologies.
* Special thanks to the generosity of the Environment Forum at Harvard University’s Mahindra Center for the Humanities.
ECOLOGICAL TIME IN TIME-BASED MEDIA ART |
Speaker:
Shannon Jackson
Introduced by:
ZHANG Ga
Date:
2022.4.27 Wednesday
Time:
11:00 - 12:30 (Beijing time)
Language:
English (with Chinese translation)
Participation:
Online Streaming by MANA (QR code attached on the poster and text)
Co-organized by:
CAFA Institute of Sci-Tech Arts, CAFA Art Museum
Supported by:
HE ART FUND, New Media Arts Foundation
Online Streaming Cooperation:
MANA
About the Lecture
Media and video art practice of the last twenty years coincided with the harrowing expansion of climate degradation. While the effects of climate change had been anticipated before 2000, they took shape ubiquitously and lethally post-2000, bringing new challenges about whether and how to imagine a future for shared life on the planet. These effects coincided also with a deeper historical understanding of how we got here, tracking the history of extractive economies and their imbrication with the forces of gender, race, colonialism, and a human-centered anthropocentricism. This lecture gathers a range of artists and artworks to chronicle the central themes of ecologically-responsive media art practice of the last twenty years, as well as a range of artistic techniques. Ecological effects bring new obstacles to the aesthetic imagination even as they inspire and require that imagining. Time-based media art thus becomes a particularly potent vehicle for addressing the most urgent crises of our time.
About the Speaker
Shannon Jackson is the Hadidi Professor of Rhetoric and of Theater, Dance, and Performance Studies, where she also holds appointments in art history, art practice, and new media. Her career survey book, Back Stages: Essays across Art, Performance and Public Life, will be published in spring of 2022. Past publications include, Public Servants (2016), The Builders Association (2015), Social Works (2011), Professing Performance (2004), Lines of Activity (2000) as well as the online keyword glossary, In Terms of Performance. Jackson is a frequent speaker internationally and a project leader and board member for many organizations, including the Oakland Museum of California, BAMPFA, Headlands Center for the Arts, Media Art 21. While on sabbatical, she serves as founding program director of video and media art for the Kramlich Art Foundation.
About the Project
The Media Art 21: Practices, Reflections, and Pedagogies of Global Media Art Since 2000 is a three-year project initiated by the Institute of Sci-Tech Arts of the Central Academy of Fine Arts (CAFA).
Media art is an essential part of global contemporary art practice. It addresses the world of the present through the media of the past, present, and future. With the increasing artistic production of media art and its growing presence in international art exhibitions comes a growing need for critical and scholarly reflection, as well as for the inclusion of this field of practice in art education. For artists, scholars, curators, and students, access to original materials in conjunction with critical reflection is of prime importance for the study and development of an artistic field that has remarkably influenced, shaped, and stimulated contemporary art. MA21 – Media Art in the 21st century – seeks to address this need through an overview of media art since 2000 from a global perspective.
Project website: http://mediaart21.org
主编 / 何一沙
责编 / 吴靖
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